David Byrne has just announced his forthcoming solo record, American Utopia, will be released by Todomundo/Nonesuch Records on March 9, 2018. The release will be accompanied by a world tour that will bring a choreographed concert that Byrne has called “the most ambitious show I’ve done since the [Talking Heads] shows that were filmed for Stop Making Sense.” (Tour information is below, with extensive additional dates to be announced soon.)
While David Byrne has collaborated on joint releases with Eno, Norman Cook (aka Fatboy Slim), and most recently St. Vincent over the past decade, American Utopia is Byrne’s first solo album since, 2004’s Grown Backwards, also on Nonesuch. American Utopia morphed during the writing and recording process, beginning with longtime collaborator Eno, and eventually growing to include collaboration with producer Rodaidh McDonald (The xx, King Krule, Sampha, Savages), alongside a diverse cast of creative contributors including Daniel Lopatin (aka Oneohtrix Point Never), Jam City, Thomas Bartlett (St. Vincent producer, aka Doveman), Jack Peñate, and others. The album was recorded in New York City at David’s home studio, Reservoir Studios, Oscilloscope, XL Studios, and Crowdspacer Studio and in London at Livingston Studio 1.
“These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world — the world we have made for ourselves. We look around and we ask ourselves — well, does it have to be like this? Is there another way? These songs are about that looking and that asking.
“This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere — the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire — I have a feeling that is what these songs touch on.
“I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.
“It’s not easy, but music helps. Music is a kind of model — it often tells us or points us toward how we can be.”
For the full text, visit publicity.nonesuch.com/davidbyrne.
The album packaging features the work of “outsider artist” Purvis Young, whose work was often a blend of painting/drawing and collaged elements comprised of everyday found objects. A painting depicting a head with a face of indeterminate race or possibly gender — dreaming, meditating, contemplating — is on the album’s cover.
DAVID BYRNE – 2018 TOUR DATES
DAVID BYRNE SOCIALS