Story by Ryan Waniata, via our partner site, Digital Trends /
In the greater Detroit area, Shinola is a household name. The company has become popular around its home base, and well beyond, for its line of sleek wristwatches and business-class accessories like leather-bound notebooks and handbags. Shinola makes cool and classy things and, these days, that’s enough to mean the brand feels ready to jump into the ever-expanding luxury headphone market. Following its first turntable, The Runwell, Shinola introduced the Canfield headphone series, including on-ear, over-ear, and in-ear models.
Here we check out the on-ear Canfield, which are luxuriously appointed with sparkling cuts of steel and rich leather, and priced accordingly at a whopping $495 per pair in silver and cognac or silver and black (and $550 in gloss black). Those prices put Canfield’s headphones in some very mighty company. But can this watchmaker-turned-audio brand churn out a pair of audiophile cans worth their audiophile price?
The Canfield On-ear arrive, like a lot of high-end headphones, in an all-black box wrapped in a cardboard sheath with glamour shots of the cans on the front and back. Inside, the headphones rest within a durable hard case secured with foam and accompanied by a removable braided cable with a three-button iOS inline mic. One piece curiously missing from the package is a quarter-inch adapter. Shinola says the headphones are designed “specifically to perform with any smartphone,” and we’ll agree — they’re incredibly easy to drive with any device. But, at this price, we were surprised there wasn’t an adapter supplies for use with high-end components — especially since the instructions explicitly recommend using an amp for “critical listening.” No matter, we’ve got our own.
Bill Roberson/Digital Trends
The Canfield’s design reminds us of a lot of high-end headphones — and that’s a good thing. The cans are crafted from heavy steel components, including chrome insets where the earpieces meet the band and chrome ribbons curled around the earpieces that are matched by sexy matte caps on the earpieces’ exterior with Shinola’s lightning logo set in the center.
The band itself feels rugged yet refined, like a weekend warrior who relieves office anxieties with ample mountain time. The steel skeleton is covered in a coat of sharp-looking leather with a smooth suede underlining. It’s along the band, however, that we find our first couple of design flaws.
As classy as the headband’s leather cover is, it doesn’t offer nearly enough padding for a pair of cans weighing three-quarters of a pound. In addition, the angle at which the retractable arms extend from the headband to adjust the fit is awkward. Slide the retractable piece at any angle more than a few millimeters off axis and the earpieces seem to be stuck in place. This is doubly true when wearing the headphones , making it nearly impossible to adjust size on the fly without actually removing the headphones.
Rich lambskin covers the earpads, which are magnetically attached and easily removable in the vein of headphones such as Bowers & Wilkins’ P-series models. But again, we raise a complaint as there’s very little padding. As stylish as the headphones look, the lack of appointed cushioning above and on the sides amounts to a fit feel that doesn’t jibe with the headphones’ luxurious design. Rigid is the word that comes to mind; the Canfield just never quite wear in, even after weeks, leaning into their business-chic design with a fit that feels stiff as a boardroom meeting. Moving back and forth between our similarly priced Audeze Sine on-ears, which we initially wished had more padding as well, we were struck by just how cozy they feel in comparison.
Further, the fact that the braided cable is extremely noisy whenever it ruffles against your clothes doesn’t do the headphones any favors, either.
We mentioned Bowers & Wilkins earlier, and that’s appropriate again here as, like B&W’s P-series (especially the flagship P9), the Canfield on-ear aim for a bass-heavy flavor that was previously rare to find in headphones priced well above the mainstream. That’s not to say the sound won’t be a popular one. The Canfield do some impressive things in the low end, offering rigid bass response that’s dominant without being all-out overpowering when it comes to the higher registers.
The sound signature is saturated in darker flavors across the board, which is evident in lighter tunes like Elton John’s Your Song, though there’s also a fair bit of detail to discover in the midrange. John’s gravelly vocals are relatively well exposed in the song, cutting through as the creamy piano is accompanied by the wide range of stringed instruments across a wide soundstage.
While bass lovers will enjoy the gutsy thrills down low, the center frequencies aren’t revealed with the presence or accuracy you’d expect from a pair of headphones at this price. Bouncing back and forth between our go-to Sine headphones and the Canfield with more nuanced music, such as Ahmad Jamal’s percussion-heavy jazz songs Silver and Back to the Future, reveals not only a lack of presence in the upper registers, but also a dearth of several layers of textural definition in the Canfield that we find are free-flowing and readily accessible in the Sine.
Granted, we’re comparing Shinola’s first-ever try in the genre to perhaps the very best on-ear headphones you can find at their price point, and to be fair, the Canfield’s 40mm dynamic drivers have a hard mission in keeping up with the brilliantly engineered planar magnetic drivers Audeze employs in the Sine. Still, when you dive in at the $500 line, you’d better make sure your cans are ready for some fierce competition.
Gorgeously designed and rugged as any cans you’ll find in their class, Shinola’s Canfield On-ears fit the part from the outset. But a lack of comfort or high-end performance have us recommending you hold your cash for a pair of headphones more worthy of the Canfield’s kingly price.
DT Editors’ Rating: 3/5