The CD revolutionized the music industry, but it was never cool. Even as CD sales eclipsed and nearly exterminated vinyl, the format was plagued by accusations that its sound was inferior, that it was merely a convenient alternative to the LP.
As consumers flocked to the convenience and ubiquity of downloadable and streaming music, they unsentimentally abandoned their CD collections. But as CD sales have plummeted, vinyl’s sales figures have been moving in the other direction. The CD-versus-vinyl debate — and, by extension, the debate over digital versus analog sound — has only grown.
By 2014, vinyl’s resurgence as a marketable product and fetish property appeared to be hastening the CD’s obsolescence. While CD album sales in the United States had dropped by 80 percent since their 2001 peak, LP sales hit 9.2 million, up 52 percent from 2013 and nearly 800 percent since 2004. Jack White’s Lazaretto moved 86,700 LPs, the most units in a calendar year since Nielsen SoundScan started keeping track in 1991.
Baked into the vinyl resurgence is the suggestion — fed by analog apostles such as Young and White — that an LP’s analog playback produces honest, authentic sound, while digital formats like the CD compromise quality for the sake of portability and convenience. Young articulated this sentiment earlier this month at the International Consumer Electronics Show in Las Vegas, where he told Rolling Stone’s Nathan Brackett that the vinyl resurgence is due to the fact that “[vinyl is] the only place people can go where they can really hear.”
Fathers of the compact disc — and many audio engineers who make a living reproducing what transpires in the recording studio — bristle at this notion.
Full story from LA Weekly: Why CDs May Actually Sound Better Than Vinyl – Los Angeles | Los Angeles News and Events