After a pair of masterful 5.1 surround-sound mixes for the 20th anniversary edition of Pink Floyd’s The Division Bell and the November release of The Endless River, one might think producer Andy Jackson would follow suit for his own first full-fledged progressive-leaning solo album — but you’d be dead wrong. Instead, the man’s mandate for the oh-so-appropriately named Signal to Noise (Esoteric Antenna) was strictly quad. “The concept of surround … [Read more...]